Rosés and Sauvignon Blancs

Howard Goldberg writes up Channing Daughters' 2008 Sauvignon Blanc and 2008 Tre Rosati.

Grassy young sauvignon blancs evoke springtime, and vivacious young rosés herald summer afternoons. Last month’s blast of premature hot weather induced me to sample both from the 2008 vintages of Macari and Channing Daughters. 

At its best, Macari’s spirited sauvignon blanc can be wonderful. The latest version, called Katherine’s Field ($21.99), is delicious. Like top-flight New Zealand sauvignons, this wine delivers a seductive cut-grass aroma and flavor. The scent and taste are also redolent of melons, and a gooseberry-like tartness suggests a sophisticated gin-and-tonic. 

Channing Daughters’ winning Mudd Vineyard sauvignon blanc ($20), the color of pale brass with a greenish cast, is subtler. Soft and round, clean and zippy, it tastes slightly of asparagus and green beans. It would make a fit accompaniment to hot or cold pea or sorrel soup. 

Almost all rosés are frivolous, but some are seriously frivolous, especially at Channing Daughters. 

In cool growing seasons like those of 2008, the acidity in grapes at harvest tends to stay high — a boon for the refreshing rosés that James Christopher Tracy makes there. 

Taking his cue from the food-friendly wines of Friuli-Venezia Giulia, in northeastern Italy, he produces three dry $17 rosés, each from different grapes. He calls the program Tre Rosati. 

The cabernet sauvignon rosato, from Mudd grapes, is almost a red wine. Its aroma brings summer roses to mind; its flavor, baby strawberries. The merlot rosato (also Mudd) is soft, a little plush and easygoing. The cabernet franc rosato, from Croteau Farm Vineyard fruit, has an almost sweet aroma; it is lean, feather-light and graceful.

Web Page: http://www.nytimes.com/2009/05/10/nyregion/long-island/10vinesli.html

Excitement in a Bottle

In his March 9 column, Howard Goldberg calls Channing Daughters the East End's most cutting-edge estate and it's 2006 Meditazione a “masterly feat of blending.” 

Channing Daughters aptly names one of its white blends Envelope. The Bridgehampton winery’s Web site explains, “We will continue to push the envelope of what is possible in our vineyards, our cellar and our region.” 

Its grape-growing, grape-buying and experimental cellar work has made Channing Daughters the East End’s most cutting-edge estate. Its winemaker, James Christopher Tracy, who is also a partner, brings his sensibility as a trained chef to blends that are exciting when they succeed and interesting even when they do not. 

Although I last wrote about the winery in December, I could not ignore the latest releases. 

The appetite-whetting 2007 Mudd Vineyard sauvignon blanc ($20), named for the fruit’s source in Southold, is lightly herbaceous and delivers a kiwi-like bite. It consists of 97 percent sauvignon grapes and 3 percent chardonnay musqué grapes. (Musqué is a strain that yields a seductive muscatlike scent.) 

Though disjointed, the brass-colored 2006 Envelope ($40) is provocative. Its 30 percent gewürztraminer overwhelms its 70 percent chardonnay. The wine is splashy, spicy and raisiny. 

Channing Daughters takes inspiration from the zippy, fruity whites of Friuli-Venezia Giulia, a region in northeastern Italy. Mr. Tracy’s Meditazione ($40) mimics vino da meditazione — meditation wine, designed to woo the intellect as well as the digestive system. The 2006 edition, a liquid fruit salad, is a masterly feat of blending. Consider these percentages: tocai Friulano (36), pinot grigio (25), sauvignon blanc (17), chardonnay (10.3), muscat ottonel (9.5), viognier (1.2) and malvasia bianca (1). 

Mr. Tracy has written that Meditazione smells and tastes of dried apricots, citrus oil, crushed rocks, white flowers, light caramel and brown spice, with notes of chamomile tea and cider. That might be an understatement. 

Channing’s wines sell out fast; walk-in customers are limited to two bottles of Meditazione. 

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Taste for Wine Can Be Taught

The Southampton Press writes about winemaker Christopher Tracy and the class he will teach this spring at Stony Broook University Southampton campus-the first ever class the internationally recognized Wine & Spirits Education Trust (WSET) will be offering on the East End.

According to James Christopher Tracy, “The funny thing about wine education is that, ultimately, it’s about pleasure and enjoyment.” 

And he should know: The energetic young winemaker, who was recently enlisted by the Center for Wine, Food and Culture at Stony Brook Southampton to teach a new wine course this spring, made the comment recently during an interview at Channing Daughters Winery, where he is both winemaker and partner. 

He had been delivering a rapid-fire account of the course and its creator, the prestigious British-based Wine & Spirit Education Trust (WSET), when he cut to the heart of the matter, mindful perhaps that in his enthusiasm for the course’s highly professional approach and many fine features, the point of it all might be missed. 

Yes, he acknowledged, studying wine has its “very esoteric, very specific” aspects, but in the end, he asserted, “it gives you the understanding and knowledge that enhances the potential for pleasure.” 

Mr. Tracy, who has pursued his own wine studies to the highest levels, is well positioned to offer this assessment. Born in California, where his family had a vineyard, he came to Manhattan to study performing arts but soon found himself drawn back to his roots. While

working as a chef, he completed studies for a sommelier certificate, after which he went on to pursue the WSET curriculum to the top, earning its highly regarded diploma. 

Then, last fall, he decided “to bite the bullet,” and go for the no plus ultra in wine world distinctions as a candidate for the Masters of Wine. 

It could be argued that when Mr. Tracy and Stony Brook’s Center for Wine, Food and Culture Director Louisa Hargrave teamed up on the WSET venture, the partnership represented a depth and breadth of experience unrivaled anywhere. 

Ms. Hargrave, who is well known on the East End for having established the first North Fork vineyard with her husband Alex in 1973, spent the next 27 years farming the land, learning the hard way but learning well. That expertise led to her leadership of Stony Brook’s Center for Wine, Food and Culture, where she created a wine education program that took a variety of forms before she decided last year to go for accreditation from WSET. 

Ms. Hargrave explained that decision in a conversation last week at her Stony Brook office, noting that WSET is known all over the world. “They teach this very well structured series of courses,” she said, “and the student gets a certificate that is recognized worldwide in the wine business.” 

She said she expected that the course would appeal to sommeliers, restaurateurs and wine retailers as well as to those who are simply interested in becoming more knowledgeable about wines and refining their tastes. 

It was not easy to become accredited by WSET, she said, “It required all kinds of documentation.” And once the coveted “Approved Programme Provider” designation was obtained, there were strict guidelines to follow. The test that students take at the end of the eight-week intermediate course (the only level, so far, that the Center is authorized to offer), “is freighted in from London and must be kept under lock and key,” said Ms. Hargrave. The completed multiple choice exam is then sent back to England for grading. 

At the intermediate level, “almost nobody fails,” said Ms. Hargrave, “If you go and you read the stuff, you pass. The advanced level is much harder and the diploma is really hard.” 

Ms. Hargrave said she is looking ahead to possibilities for expanding the offerings with more advanced WSET courses and perhaps a one-day intensive course that would be “really introductory.” The series would fill “a real need on the East End,” she said, “... really on Long Island, and we are very excited about it.” 

Exciting was also the word Mr. Tracy used to describe Southampton’s link with WSET. “This is a great program,” he said, “an internationally recognized program.” For people working in hospitality, retail and wholesale, “the credentials have weight,” he said. 

Like Ms. Hargrave, he was eager to show off the stylishly produced packet of materials each student will receive and to laud its contents. The study materials are indeed impressive, not just for their artful graphics but for their clarity of approach. They include tasting guidelines, for example, that advise on what to look for in a wine’s appearance, its “nose” and palate. 

Students also are exposed to factors influencing a wine’s style, quality and price, and to grape varieties, key wine-producing regions of the world and much more. 

“It’s a very professional approach,” said Mr. Tracy, “a great fundamental education in wine style, production methods, tasting techniques.” 

But can people without any particular sensory gifts really hone their sniffers and palates to new levels? That is a question many are likely to have pondered and to which Mr. Tracy has a one-word answer: “Absolutely.” 

Of course, he conceded, there are some whose sense of taste or smell is superior at birth, but, he insisted, “education can make you a competent taster and evaluator of wine. That can absolutely be learned, taught, studied.” 

Ms. Hargrave agrees and goes further, suggesting that if anybody can prove the point it is Mr. Tracy himself. “Chris is my dream teacher,” she laughed. “He is so charismatic, knowledgeable, and has one of the best palates I have ever encountered. People who take his course are the luckiest people on the planet.” 

The course, which will meet on Tuesday evenings beginning April 1 in Stony Brook Southampton’s Chancellor’s Hall, costs $650 per person, which includes materials, text, tastings and exam. Online registration is at www.stonybrook.edu/winecenter.

East End's New Editions

In Howard Goldberg's year end New York Times column he writes that In the stream of East End white wines tasted this year, the most consistently vivacious ones came from Channing Daughters in Bridgehampton...

In the stream of East End white wines tasted this year, the most consistently vivacious ones came from Channing Daughters in Bridgehampton. This South Fork boutique and its winemaker, James Christopher Tracy, have delved so deeply into vineyard and cellar experimentation that every vintage brings new expectations. 

Mr. Tracy, a trained chef, acutely understands how wines must be fashioned to heighten interest in meals as aperitifs and accompaniments. 

Channing Daughters’ principal partners, Walter Channing and his chief executive, Larry Perrine, evidently have let Mr. Tracy have his way. His whites, which never disappoint, pointedly are inspired by the light-bodied but complex style of their counterparts in Friuli-Venezia Giulia, a wine region in northeastern Italy. 

A downside is that many of the Italian-style whites can be difficult to find; they sell out fast. Overall annual production of all Channing Daughters wines, white and red, comes to a modest 7,000 cases; many are allocated to members of the estate’s wine club, who agree to buy two bottles six times a year. 

Other consumers need to stay alert, checking www.channingdaughters.com for news about periodic releases and quickly visiting the tasting room or wine stores and restaurants that stock bottles from the portfolio. 

Despite vintage variations, the quality and style of these whites have remained dependable. If you lose out on a release, the next one in the genre will probably taste good. 

An abundant supply of the widely available 2006 Vino Bianco ($29) is most likely to carry over well into the new year. In 2008, look for new editions of three blends — Sylvanus, Mosaico and Vino Bianco — as well as the Mudd Vineyard sauvignon blanc, regular sauvignon blanc and pinot grigio.

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Uncorked: North Fork Surprise

Jay McInerny visits Channing Daughters and Long Island Wine Country and reports that Long Island wine making has definitely arrived with some excellent whites and a few very good reds...

For the past 20 years, I've been visiting the East End of Long Island—one of the most beautiful, and expensive, landscapes in North America—but I have so far refrained from writing about the local wine. Despite periodic announcements of breakthroughs and blind-tasting triumphs, I wasn't convinced that Long Island wines were ready for prime time, or for my table. It hardly seemed like a positive indicator for the region when the vines at well-regarded Schneider Vineyards were ripped up to make way for a horse farm. But after spending the summer tasting and visiting wineries, I'm newly optimistic about what's happening in my own backyard. 

Long Island winemakers haven't had it easy. Developers covet their land; the local wildlife covets their fruit. As I write this, I'm looking out the window at seven deer munching the lawn. Deer love grape vines. Eastern Long Island is also on the flight path of numerous migratory birds, most of which love grapes. Fencing and netting are an expensive necessity here, but there's no defense against Hollywood. The fact that merlot is the grape on which most Long Island vintners have been betting the farm seemed at first unfortunate in the wake of the 2004 film Sideways, in which that grape was cast as a cheesy villain. And yet the reds that really got me excited this past summer were, in fact, merlots: the 2001 Lenz Old Vines Merlot and the 2001 and 2002 vintages of the Grapes of Roth, made by Long Island veteran Roman Roth. These wines represent a happy medium between fruity California and earthy Bordeaux. Cabernet franc also has its proponents here, but the real news, for me, is the quality and freshness of the white wines and the rosés. 

The East End of Long Island looks a bit like a lobster claw aimed at France. Along with fishing, potato farming was the backbone of the local economy on both the upper and lower parts of the claw. In 1973, Louisa and Alex Hargrave planted the first vinifera vines on the North Fork, where the two were soon joined by Kip Bedell and several other incurable optimists. Five years later, Hamburg-born playboy-entrepreneur Christian Wölffer bought a potato farm on the South Fork, which he turned into Sagpond Vineyards. 

Geologically and meteorologically, the North Fork and the South Fork are fairly similar, with their sandy soils and their marine-influenced weather. Culturally, they are as dissimilar as Fitzgerald's East Egg and West Egg. The South Fork encompasses the Hamptons, the summer playground of Manhattan's plutocracy. The North Fork, home to some 30 wineries, has a certain Mayberry RFD ambience, an agricultural vibe that reminds some transplanted Californians of Napa Valley b.m. (before Mondavi). 


John Irving Levenberg, the diminutive winemaker at Bedell Cellars, is one of those transplants. "We have a chance to do something unique in the wine world," he says. "That's why I came here." When he was working for Paul Hobbs in Sonoma, Levenberg produced super-ripe alcoholic chardonnays that weighed in at more than 15 percent alcohol. Long Island, with its cooler climate, produces wines with higher natural acidity and lower alcohol, and Levenberg is not the first to suggest—and hope—that the wine world is moving in that direction. 

Flying in the face of the local merlot mania, Channing Daughters Winery, in Bridgehampton, specializes in white varietals and white blends, which are garnering good press and finding space on Manhattan wine lists. "We believe Long Island is a white wine region," says winemaker Christoper Tracy, another California transplant. "We also believe in blending, because we think we can make more complex wines." The blends are partly inspired by the whites of Italy's Friuli region, the climate of which Tracy finds similar to the East End's. My favorite is the Mosaico, an exotically aromatic, viscous, and complex blend of pinot grigio, chardonnay, sauvignon blanc, Tocai Friulano, gewürztraminer, and muscat. Tracy also bottles single-varietal examples of Tocai Friulano and pinot grigio, both of which may be the best new-world examples I've encountered, and they're both great with the local littleneck clams. He also produces three excellent rosés, which cost about a third of the Domaines Ott rosé, the fashionable quaff here in the Hamptons. 

If Channing Daughters' Mudd Vineyard Sauvignon Blanc is any indication, that varietal would seem to have great potential on the East End. In fact, the most impressive white wine I've tasted in months is Paumanok Vineyard's botrytised, late-harvest 2005 sauvignon blanc, an exquisite nectar that resembles a German eiswein. 

Like several East End wineries, Channing Daughters also produces chardonnays in two styles, one lean and racy (Scuttlehole) and the other (L'Enfant Sauvage) fat and buttery—what I call lobster chardonnay. Despite the abundance of lobsters out here, I think the unoaked style is best suited to the climate. Long Island will never be able to compete with Napa and Sonoma in the Pamela Anderson School of Chardonnay. But as Long Island winemakers hone their craft, they are offering an increasingly attractive and sophisticated set of alternatives to the muscle-bound cabs and buxom chards of the West. 

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A Liquid Symphony

Michael Braverman says...It takes a lot of skill and a sophisticated approach to winemaking to get it right, and Mr. Tracy, with each succeeding vintage, has been turning out increasingly original, engaging, and well-made blends... 

Most wines we drink are blends of some sort. Even a single varietal wine may contain up to 25 percent of other grapes. Winemakers do this to enhance color and aroma, to adjust such things as acidity, alcohol, oakiness, and tannins. But an even bigger challenge to a winemaker is to create an original blend, a nonvarietal wine based primarily on flavor and taste. 

I recently sampled some blends produced by Chris­topher Tracy, the winemaker at Channing Daughters Winery in Bridge­hampton. It takes a lot of skill and a sophisticated approach to winemaking to get it right, and Mr. Tracy, with each succeeding vintage, has been turning out increasingly original, engaging, and well-made blends. 

In a way, it is like creating a recipe for food. Proper ingredients are essential, and the way they are combined must be balanced and precise. It should come as no surprise that Mr. Tracy trained as a chef before moving on to the cellar, and that he is drawn to sophisticated blends. 

We tasted blends from the 2006 vintage that have recently been released or are soon to be released. I’ll comment in this column on two of those blends. 

Vino Bianco is a deceptively simple name for a wine that is intricate and subtle. It is inspired by the white wines of Friuli in northeast Italy, an area that Mr. Tracy often visits and that has greatly influenced his winemaking style. It is composed of 27 percent tokai Friulano, 26 percent sauvignon blanc, 22 percent pinot grigio, 19 percent of a chardonnay clone called Dijon 96, and 6 percent of a different chardonnay clone called musque. 

The result is a wine with clean, delicate characteristics, but with body and depth and layers of taste. Floral aromas, along with citrus, tropical fruits, and hints of spice, greet your nose, followed by minerality and a touch of what I can only call austere sweetness. 

Tocai is a lovely grape native to Friuli that Mr. Tracy has used over the years in both blends and varietals. It is rarely grown outside Italy; Bridgehampton is an exception. The European Court of Justice has forbidden Italy to use the name Tokai Friulano, ruling this summer that only Hungary is entitled to use that designation for Tokay or Tokaj, a sweet wine. 

The Friulians are fighting the ruling, and I hope they win. Of course we can drink and enjoy the same wine under a new name, but why should bureaucratic trade policies wipe out 800 years of history and tradition? 

Most blends emphasize the traits of the grape varieties or the method of winemaking, but a field blend, where grapes are grown in the same field and then harvested and vinified together in the same tank, emphasizes terroir. The rationale is to capture and express in the taste the location and season in which the wine was created. 

I can’t draw a direct line from field to glass, but I can say that Mosaico, an extraordinary new wine from Mr. Tracy, is absolutely sensational. Its composition is 34 percent pinot grigio, 33 percent chardonnay, 14 percent sauvignon blanc, 7 percent tocai Friulano, 6 percent gewurztraminer and 6 percent muscat Ottonel, all having spent their lives together. 

When you sit down to analyze it you realize that each element adds something important to the complete wine. Allison Dubin, the general manager of Channing Daughters and wife of Mr. Tracy, pointed out that there is a symphonic nature to Mosaico. 

She hit upon the perfect way to describe it. There is a lot happening, but it all works together harmoniously and seamlessly. The Channing tasting notes say, “This wine is a mosaic of grapes and a mosaic of vinification techniques, it is a mosaic of ideas and people, and it is inspired by the mosaic that is America as well as the mosaic of Friuli-Venezia Giulia.” It is a mosaic indeed, and a gorgeous one. 

Vino Bianco and Mosaico sell for $29 each at the winery.

Web Page: easthamptonstar.com

You Say Roses, They Say Rosati

Howard Goldberg writes up the new 2006 Tre Rosati and calls the 2006 Mosaico one of the most sophisticated dry whites ever created on Long Island and one of New York State’s great 2006 wines.

Although most wineries are content to produce one rosé, or none, Channing Daughters in Bridgehampton offers a handful of rosati, to use the Italian term the winery favors. 
In keeping with his preference for dry food-oriented wines characteristic of Friuli-Venezia Giulia, James Christopher Tracy, the wine maker, labels them Tre Rosati — three rosés — to emphasize that they form a trio. Each is $17, and each is distinctive, using grapes from different North Fork vineyards, separately vinified in steel tanks to preserve fruitiness and pizazz. 

All three are enticing and, with a glowing salmon-pink color, strikingly decorative in sunlight. A light chill brings out the fruitiness; iciness would waste everything. The tiny production — about 800 cases were made altogether — almost certainly will vanish by early summer. 

My favorite, by a shade, is the merlot rosato, from McCall Vineyard (Cutchogue) grapes. Almost a light red wine, it is round, creamy and redolent of strawberries. Mr. Tracy, a former chef, recommends pouring it with wild striped bass, shrimp, roast chicken, grilled sausages and tomatoes with mozzarella. 

His cabernet franc rosato from the Croteau Farm Vineyard (Southold) offers a charming aroma and flavor. Its piquancy shows off a light raspberry-strawberry flavor. It begs for casual sipping; Mr. Tracy suggests serving it with oysters and clams, white-fleshed fish, vegetables, salads and ham. 

The cabernet sauvignon rosato from Mudd Vineyard (Southold) is virtually full-bodied and carries the strength of a light red. Its aroma of tea roses is beguiling, and fresh acidity gives it digestive power. Pair it, Mr. Tracy says, with “heartier fare from the grill”: beef, lamb, chicken, pork, lobster, salmon, tuna, vegetables and mushrooms. 

As beguiling as the rosati are, none of them matches the culinary artistry of Channing Daughters’ newest wine, Mosaico, one of the most sophisticated dry whites ever created on Long Island and one of New York State’s great 2006 wines. 

This thrilling and technically daring $29 blend consists of pinot grigio (34 percent), chardonnay (33 percent), sauvignon blanc (14 percent), tocai Friulano (7 percent), gewürztraminer (6 percent) and muscat ottonel (6 percent). It’s a ritzy fruit salad in a bottle.

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Channing Charmers

Howard Goldberg writes up the new Channing Daughters releases- 2005 Meditazione, 2005 Blaufrankisch and 2006 Sauvignon Blanc.

The wines that James Christopher Tracy makes at Channing Daughters, in Bridgehampton, may not yet be the most polished on Long Island, but they are the most provocative. This chef-turned-winemaker packs more flavor surprises into his whites, especially, than anyone else. 

Walter Channing, the owner, has made Mr. Tracy and Mr. Tracy’s wife, Allison Dubin, the general manager, minority partners at Channing Daughters. 

A risk-taker, Mr. Tracy succeeds with his 2005 Meditazione ($40), his second vintage of a white based on vino da meditazione, native to the Friuli-Venezia Giulia region in northeastern Italy. 

This golden-hued dry “meditation wine,” made from tocai Friulano, chardonnay, pinot grigio, muscat ottonel, sauvignon blanc, viognier, sémillon and malvasia bianca grapes, captivates the palate and the intellect. 

With merely 58 cases made and a three-bottle limit per customer, the wine won’t go far. Lucky buyers will experience an enigmatic, tangy richness. Mr. Tracy said he would pair the wine with pork loin, squash ravioli, mushroom-and-bacon risotto and aged Gouda. 

His intensely flavorful, light-bodied 2006 Mudd Vineyard sauvignon blanc ($20), made with fruit from vines planted in 1975 in Southold, is also beguiling. It contains a small amount of aromatic musqué-clone chardonnay. The tropical grapefruit-like flavor offers a long, rewarding finish. 

The sauvignon blanc pairs well with shellfish, all sorts of white-fleshed fish, asparagus, eggs and fresh goat’s-milk cheese, Mr. Tracy said. 

Perhaps no red on Long Island is more experimental than Mr. Tracy’s dry blaufränkisch ($25). (The grape and wine are mainstream in Austria and in Hungary, where it is called kekfrankos; also known as lemberger, it is popular in Washington State and in the Württemberg region of Germany.) 

Smoky, spicy, awash in the flavors of macerated dark berries and licorice accents, the ruby 2005 edition is invitingly gamy, with a softness that may come from the 25 percent infusion of merlot. 

Mr. Tracy would pour the blaufränkisch with mushrooms, a variety of game, goulash and Wiener schnitzel. Myself, I’d have it with goulash. 

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Young Blends of Long Island

The latest editions of two white blends from Channing Daughters, in Bridgehampton, the 2005 Sylvanus and 2005 Vino Bianco, are especially complex. Both are inspired by blends of Friuli, in northeastern Italy, whose regional cuisine requires quicksilver whites. 

DRY blends, red and white, are a significant part of the East End’s portfolio of wines. 

The latest editions of two white blends from Channing Daughters, in Bridgehampton, the 2005 Sylvanus and 2005 Vino Bianco, are especially complex. Both are inspired by blends of Friuli, in northeastern Italy, whose regional cuisine requires quicksilver whites. 

Both wines need time to unfurl. In their current youthful state, which is dominated by a fresh, appetite-quickening acidity, they are as versatile as whites can be for fish and shellfish. 

James Christopher Tracy, Channing Daughters’ winemaker, aims for excellence with his exceptionally ambitious Vino Bianco ($29). It consists of 22 percent sauvignon blanc, 26 percent early ripening Dijon-clone chardonnay, 18 percent musqué-clone chardonnay, 16 percent pinot grigio (pinot gris) and 18 percent tocai Friulano. 

As every cook knows, the more ingredients, the riskier the recipe. As usual, Mr. Tracy, a chef and a perfectionist, succeeds; the blend is seamless. Vino Bianco’s swirl of flavors comes across best when the wine is well chilled. Its aroma is heightened by use of the spicy musqué clone of chardonnay. The grapefruity finish on this light-bodied sipping wine invites a second glass. 

While Vino Bianco contains grapes from a number of vineyards, fermented separately and then blended, Sylvanus is a so-called field blend: the grapes were grown, harvested, pressed and vinified together. Sylvanus ($24) consists of 43 percent muscat Ottonel, 44 percent pinot grigio and 13 percent pinot bianco (pinot blanc). Tangy, virtually a citric fruit salad in a glass, it cries out for shellfish. 

As for reds, the Long Island Merlot Alliance has released its first collective wine, the 2004 Merliance. A blend of merlots by Pellegrini, Raphael, Sherwood House, Shinn and Wölffer, it costs $35 at each winery. 

The alliance seeks to promote the Island’s merlot, which many consider the area’s signature red, and to define a model for the wine. The 2004 is in a quiet, closed phase; it needs six more months’ bottle aging to bloom.

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Time in a Bottle

One day perhaps, Christopher Tracy, the winemaker at Channing Daughters, will take the easier road and make larger quantities of fewer wines. Until then however we can all enjoy the results of Mr. Tracy’s restless and passionate quest to produce small quantities of wine from unusual grapes or small quantities of wines that are unconventional expressions of more common grapes. 


For several reasons, this seemed the perfect time to take a critical look at Mr. Tracy’s current work with white wines. To begin, Mr. Tracy has earned a reputation over the past for years for illustrating what Long Island is capable of doing with white wine grapes. Second, the harvest of 2005 was arguable the best we’ve had on Long Island. Local wineries, including Channing Daughters are now releasing white wines from this vintage. 

Sylvanus is the name of a field at Channing Daughters Winery in Bridgehampton and also the name of a wine. Instead of emphasizing the traits of a varietal or even a method of winemaking, Mr. Tracy’s focus is on terroir, the representation of time and place in a taste of wine. The three components of Sylvanus (muscat ottanel, pinot grigio, and pinot Bianco) are grown, harvested and vinified tog tether. 

It’s a blend that begins in the earth, and continues to the glass. The idea is captivating, and so is the result; harmonious, smooth, serene, almost pastoral in its composure. No one element jumps out. Nothing ruffles the silky balance of this well-bred wine. There were 208 cases of Sylvanus produced; it sells for $24 at the winery. 

The Friuli region of Northeast Italy has been a major influence on Mr. Tracy’s winemaking, and the simply named Vino Bianco ($29) is perhaps his most highly developed and subtle interpretation. A blend of four white varieties, medium-bodied and complex, this is a wine with a rhythmical, quickening edge to it. The name suggests country charm but the taste is urbane and sophisticated. 

Tocai is a grape of Friuli, hardly grown elsewhere, but Mr. Tracy has made it one of his signature tastes. It’s an easy wine to like-wait, make that love. I go back to it each year as it is released. Very aromatic, with citrus, floral and pear scents, intricate, sensual and excellent with many foods. Channing’s 2005 Tocai Friulano is exceptional-not merely by its rarity but also by its quality. 

The 146 cases were bottled, as Mr. Tracy points out, on Cinco de Mayo. I might add that at $24 per bottle it is numero uno for value and pleasure. 

Other new 2005 white wine releases from Channing Daughters include: Cuvee Tropical chardonnay ($17); Pinot Grigio ($18, now sold out); Sauvignon, 76 percent sauvignon Blanc, 24 percent chardonnay ($24); Scuttlehole Chardonnay, reliable, delicious and only $14. 

The raw material of the 2005 harvest was almost ideal. Excellence had to be the challenge for the winemaker on Long Island, and Mr. Tracy has taken that challenge seriously and produced a group of outstanding white wines.

New York State: Baby You Ain't Seen Nothin' Yet

Channing Daughters, under the direction of co-owner and Long Island viticultural veteran Larry Perrine and husband-wife winemaking team Christopher Tracy and Alison Dubin, is bottling some of the most intriguing and delightful wines on Long Island, utilizing fruit from closely affiliated North Fork growers as well as from Walter and Molly Channing's South Fork "Home Farm." Like many of the best wines from Long Island, in addition to being well worth consumers' attention solely on their gustatory merits, these are also capable of raising the temperature in a blind tasting. "We really feel that Long Island is a spectacular white wine district year in and year out," says Christopher Tracy, "whereas red wines are more difficult," and for the latter the team here envisions blends incorporating such exotics as Blaufrankisch, Dornfelder and Refosco. Tracy characterizes his methodology as "between low tech and no tech," and even those wines that are lightly filtered are still moved entirely by gravity. Production of the whites here so far rarely exceeds 200 cases per bottling, so interested parties should get on the winery's mailing list. 

Climatic similarities along with inspiration at the hands of some of that region's foremost viticulturi prompted planting of Friulian grapes at Channing Daughters which end up in a wide range of wines, several of which were memorable. The 2004 Sylvanus, from 60% Muscat Ottanel, 20% Pinot Grigio and 20% Pinot Bianco grown and vinified together and aged briefly in older French and Slovenian barrels is predictably (given the ways of that variety) dominated by apricot and peach aromas of Muscat Ottonel. On the palate, the wine offers a lovely exchange of creaminess, hints of barrel, and juicy pit fruit and melon flavors, finishing with brown spices and a hit of apricot kernel bitterness that add lingering complexity. An aromatic surge of sage, passion fruit, and lemon worthy of Marlborough announces the newly-bottled 2005 Sauvignon Blanc, sourced from 30-year-old vines in Mudd Vinyeard on the North Fork. In the mouth, this wine - vinified in stainless steel save for one small barrel component - offers juicy citricity, a waxy texture, and underlying hints of chalk dust, all leading to a bright, persistent finish. The 2005 Pinot Grigio from the Channing estate is vinified in stainless steel "barrels" - 55-gallon vessels ideal for enhancing lees contact - as well as in one new Slovenian hogshead. Aromas of peaches, nutmeg, wood smoke, and chamomile lead to a creamy, subtly oily palate with hints of fruit pit bitterness playing against notions of honey and rich peach and pear nectar. An evocatively fruit- and spice-filled finish completes the picture of what will certainly be an outstanding value among its type. (This wine was assembled but not yet bottled at the time I tasted it.) A 2004 Tocai Friulano, vinified in older barriques, smells of flowers, pungent toasted grain, honey, almonds, and lanolin. In the mouth, fresh lime, honey and a faintly bitter hint of quinine are wreathed with floral and smoky pungent nuances that truly put one in mind of "the original Tokaj" (i.e. Furmint). A balance of brightness and textural richness is comparable to that of a number of other wines from Channing Daughters, but in this instance, yet more striking. Flowers, resin, citrus, honey, and lanolin really stick to the gums. "Tocai has been a thrill," says Tracy. 

"It isn't easy to grow and it doesn't behave so well in the cellar - it's a little nuts. But the wine can have such a great character." In fact, this grape is so sensitive to its environment that the team here has to pick their small parcel in three blocks in order to try to capture the fruit at optimum flavor. They certainly seem to have succeeded in this instance. 

The 2004 Meditazione, a wine inspired by Jasko Gravner (don't be surprised to see amphora here next!), unites Chardonnay, Sauvignon Blanc, Viognier, Pinot Grigio, Tocai Friulano, Malvasia Bianca, and Muscat Ottonel. Toasted almond, apricot jam, caraway, sweet herbs, and a slightly stinky yet intriguing, narcissus-like floral aroma rise from the glass. An oily, rich palate features distilled herbal essences, pit fruits, brown spices, and a resinous hint of (a single new Slovenian) oak. A pungent pit fruit, spice and herb finish reinforces the impression of outstanding concentration and of a welter of flavors that may simply need a bit more time to organize themselves. 

East End Days

Howard Goldberg writes up the 2005 Cuvee Tropical Chardonnay, 2005 Pinot Grigio and 2005 Tocai Friulano.

On a July afternoon, if you could step magically into Fairfield Porter's peaceful summer paintings in the Parrish Art Museum in Southampton, you would want to take a glass of a Channing Daughters white from Bridgehampton. 

Three newly released 2005's — the Channing Perrine Cuvée Tropical, pinot grigio and tocai Friulano — seem made for repasts that Porter's subjects could have served on the languorous East End days he portrayed. 

As a chef and sommelier, Channing's winemaker, James Christopher Tracy, produces appetite-sharpening whites inspired by the quicksilver whites of Friuli Venezia-Giulia in northeastern Italy. 

His latest releases deliver pleasurable drinking, with pretty aromas; fruitiness tending toward subtlety, and long, crisp finishes. 

The Cuvée Tropical will jolt and then woo buyers whose idea of chardonnay has been shaped by heavy butterscotch-and-vanilla versions from California. Light and delicate, this prototypical Northeastern chardonnay ($17) reflects Long Island's cool conditions and Channing's measured stylistic choices. Its tautness is reminiscent of a Chablis. 

The grapes, from 31-year-old vines in the Mudd Vineyard in Southold, are a clone called chardonnay musqué, which yields an attractive muscat-like scent. (The name Perrine on the bottle's neck label refers to Larry Perrine, who owns Channing Daughters with Walter Channing.) 

Mr. Tracy's pinot grigio ($18) puts to shame the insipid ones that stream out of Italy. It is an ideal aperitif. 

The tocai Friulano ($24), as light as a patch of cirrus cloud, is an understated wine that is likely to blossom soon. Channing Daughters made only 146 cases, and they are likely to disappear quickly.

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Uncorked

Michael Braverman writes up the new Channing Daughters Tre Rosati program, along with the RAP event in NYC.

One day perhaps, Christopher Tracy, the winemaker at Channing Daughters, will take the easier road and make larger quantities of fewer wines. Until then however we can all enjoy the results of Mr. Tracy’s restless and passionate quest to produce small quantities of wine from unusual grapes or small quantities of wines that are unconventional expressions of more common grapes. 

For several reasons, this seemed the perfect time to take a critical look at Mr. Tracy’s current work with white wines. To begin, Mr. Tracy has earned a reputation over the past for years for illustrating what Long Island is capable of doing with white wine grapes. Second, the harvest of 2005 was arguable the best we’ve had on Long Island. Local wineries, including Channing Daughters are now releasing white wines from this vintage. 

Sylvanus is the name of a field at Channing Daughters Winery in Bridgehampton and also the name of a wine. Instead of emphasizing the traits of a varietal or even a method of winemaking, Mr. Tracy’s focus is on terroir, the representation of time and place in a taste of wine. The three components of Sylvanus (muscat ottanel, pinot grigio, and pinot Bianco) are grown, harvested and vinified tog tether. 

It’s a blend that begins in the earth, and continues to the glass. The idea is captivating, and so is the result; harmonious, smooth, serene, almost pastoral in its composure. No one element jumps out. Nothing ruffles the silky balance of this well-bred wine. There were 208 cases of Sylvanus produced; it sells for $24 at the winery. 

The Friuli region of Northeast Italy has been a major influence on Mr. Tracy’s winemaking, and the simply named Vino Bianco ($29) is perhaps his most highly developed and subtle interpretation. A blend of four white varieties, medium-bodied and complex, this is a wine with a rhythmical, quickening edge to it. The name suggests country charm but the taste is urbane and sophisticated. 

Tocai is a grape of Friuli, hardly grown elsewhere, but Mr. Tracy has made it one of his signature tastes. It’s an easy wine to like-wait, make that love. I go back to it each year as it is released. Very aromatic, with citrus, floral and pear scents, intricate, sensual and excellent with many foods. Channing’s 2005 Tocai Friulano is exceptional-not merely by its rarity but also by its quality. 

The 146 cases were bottled, as Mr. Tracy points out, on Cinco de Mayo. I might add that at $24 per bottle it is numero uno for value and pleasure. 

Other new 2005 white wine releases from Channing Daughters include: Cuvee Tropical chardonnay ($17); Pinot Grigio ($18, now sold out); Sauvignon, 76 percent sauvignon Blanc, 24 percent chardonnay ($24); Scuttlehole Chardonnay, reliable, delicious and only $14. 

The raw material of the 2005 harvest was almost ideal. Excellence had to be the challenge for the winemaker on Long Island, and Mr. Tracy has taken that challenge seriously and produced a group of outstanding white wines.

Three Roses, One Winery

As warm weather arrives, rosés spring up like crocuses on the East End. Not content with parenting only one new rosé, as many wineries do, the innovative Channing Daughters Winery has produced three. 

Its cabernet sauvignon version comes from grapes farmed at the Mudd Vineyard, and its cabernet franc version is from the Coteau Farm Vineyard, both in Southold; the merlot version is from the McCall Vineyard in Cutchogue. 

Though the lipstick hues and culinary purposes of these 2005 rosés may seem frivolous, the wines are artfully made and serious. Tasted side by side at the same cool (not icy) temperatures, they show their differences vividly. 

In flavor, freshness and application, these $17 rosés are closer to whites than reds. Because some Channing Daughters whites are modeled on frisky counterparts from Friuli-Venezia Giulia, a region in northeastern Italy, the winery calls its new program Tre Rosati (Three Rosés). 

The winery, in Bridgehampton on the South Fork, labels each version rosato. Its winemaker, James Christopher Tracy, a former sommelier and a chef, would approve if you poured his rosati, all bone dry, with Italian food. But he encourages their use with various fish, shellfish, summer vegetables, goat cheeses and meat dishes. 

The wines range in use from "the raw bar to the grill, from the picnic table to the dinner table," he said in an e-mail note. 

The shades of pink in rosés give a room charm. I put Mr. Tracy's three on my white dining room table so that the morning sun will turn them neon. 

My favorite is the cabernet sauvignon. Wonderfully aromatic, almost fleshy, full-bodied, juicy, a bit complex and delivering a long finish, this pink drink is delicious — almost gulpable, as rosé enthusiasts say. 

The pink merlot, like many of its dark-ruby siblings, is soft, round, on the full side and spicy. A day after it was opened its enticing bouquet resembled a sweet pastry. 

The cabernet franc, coral-and-salmon colored, was austere, somewhat steely and tart. A delicate wine with distant berry flavors, it is the sharpest appetite-awakener of the group. 

Mr. Tracy said the source vineyards were managed or owned by Steve Mudd. The fruit from each "seemed to beg to be made into rosati: beautiful, different expressions of site and grape, texture and flavor," he added. 

Incidentally, Jeff Morgan, a former resident of Cutchogue and the author of "Rosé: A Guide to the World's Most Versatile Wine" (Chronicle Books, 2005), traces his interest in the subject to Larry Perrine, Channing Daughters' president and chief executive. 

Mr. Morgan, who makes SoloRosa rosé in the Napa Valley, writes in the introduction that his "New York wine guru," Mr. Perrine, "got me started with barrel-fermented rosé," when both worked for the former Gristina Vineyards in Cutchogue — now the Galluccio Family Wineries. Mr. Perrine was its founding winemaker. HOWARD G. GOLDBERG

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